Category Archives: Rubber Stamping

Merry Christmas!

And Happy Holidays to all!

This year I made two Christmas card designs. This first version started out as a mixed media art journal page. I scanned it and used Photoshop to add background shapes, manipulate colors and to add details. I started it two years ago, and got it out again last year, but I just didn’t get it to where I wanted it until the third try. I added in some of the faux postage designs Tom and I made a few weeks ago and that was finally the finishing touch it needed!

Christmas Card 2020 #1
Christmas Card 2020 #1

As often happens, while scanning in and manipulating the faux postage designs to use as accents, I got another idea and was in the mood for some brighter colors so I made another card design. I had both cards printed and sent one design to half the Christmas card list and the other to the remainder.

Christmas Card 2020 #2
Christmas Card 2020 #2

Besides the digital manipulation, the art and craft media and techniques that went into this card design consist of the following: rubber stamps, hole punches, collage, stickers, design tape (washi tape), and image transfers.

Greeting cards with materials inviting participation in #12daysoftomsbeard
Greeting card with materials inviting participation in #12daysoftomsbeard

The picture on the left shows how a lot of our Christmas cards went out. We each made two sheets of faux postage. Tom didn’t care about having color copies made of his or displaying them as full sheets, so I scanned his two faux postage sheets to make black and white versions for coloring. Last year we were able to invite family members to help color in and draw on paper items for Tom’s beard in person but this year we are not doing gatherings in person so we are encouraging people to mail things in for Tom’s beard. We made the black and white shaped tags to give people something to color on in case they are stuck for an idea.

For those who got a little envelope of paper bits, those are for designing and collaging with if you choose, or you can just enjoy them in different paper projects if you have any. I made a Pinterest board on which I collect ideas for things to make with scraps. Scraps and paper ephemera are endlessly inspiring to me.

https://www.pinterest.com/tdannenf/made-from-scraps/

Tom is a good sport and is having fun thinking of places to take the photos each day and also helping pick out filters. I downloaded a couple of new phone apps that have some crazy filters in them and I’m enjoying using them to help make an art statement.

Here are the results for Day 1. I added a hint of a grunge frame, the hashtag in text and a border in Photoshop after sharing it on a couple of social media sites first. As I get used to how the sharing process works with the new filter apps I’m trying out, this part should run more smoothly.

Day 1 of #12daysoftomsbeard!
Day 1 of #12daysoftomsbeard!

#12dayoftomsbeard lasts until January 6, so there is still plenty of time if you want to send something in! Some people probably don’t even have their greeting cards yet since I was a bit late getting them out due to school. I’m used to having to throw together holiday themed promotions at the last minute because often when working for a company or clients we would not have much time available to plan so we’d have to wait until client work slowed down right before Christmas to even start. It was and is frustrating to have to hurry through the planning and execution because we could have been so much more effective with more strategy and care. It was good practice for doing things fast though – I had to work fast once again this year because I’m in graduate school and there is very little time between the end of class and Christmas to work with. I don’t have much time to make gifts so a little fun activity and putting some extra work into the cards is the best I can do. I’m having fun with it – I hope other people do too!

Faux Postage With Stickers and Image Transfers

Two finished Christmas faux postage sheets.
Two finished Christmas faux postage sheets. I’m going to make copies of these and cut them up to use on mail, tags, packages, and more.

Tom and I are spending part of this weekend planning our Christmas crafts, card list, and gift list. 2020 will be our third Christmas as a married couple! It’s always been part of my tradition to participate in as many Christmas crafts as possible. Since we are Roman Catholic, Christmas lasts a long time – over a month.  Both for cultural and religious reasons, the Christmas season for us is from the day after Thanksgiving to January 6. Activities all through this time period are how I celebrate Christmas, I don’t just celebrate it for one day. Integrating crafts and creative pursuits as much as possible is one way I show gratitude to God for the gift of being able to share creativity with other people, whether through a handmade gift, a piece of mail or a social media post. There is probably going to be more inspirational holiday sharing online this year than ever before and I’m going to try to do my part!

I’m noticing that Tom and I are developing our own set of Christmas traditions, incorporating some things transferred or revived from our families of origin, combined with activities that are unique to us as a couple. In no particular order we participate in:

1. St. Nicholas Day – we used to celebrate this when I was young, and since it is very special to me we have brought it back.

2. Daily Advent prayers with candles – we’ll be getting the candle set out soon!

3. Charitable donations.

4. Reverse Advent calendar food pantry donation – we did this last year and found it worthwhile so are going to do it again this year. It is a great way to remember to be grateful, keeping in mind what other people might really need instead of just what we want.

5. Christmas/New Year cards designed by me.

6. Handmade gifts.

7. Masses and worship.

8. Christmas poem by Tom.

9. #12daysoftomsbeard

10. Christmas Faux Postage.

11. Christmas decorations.

12. Holiday media and reading (such as Hallmark Christmas movies, prayer books and the Bloomin’ Christmas book).

13. Christmas baking and food.

14. Festive gift packaging.

15. Christmas stockings.

16. Christmas Journaling and Icebreaking Activity Cards.

Today I’m going to focus on this year’s Christmas Faux Postage. It’s going to play a part in this year’s card design and possibly other craft projects too so I’m working on the faux postage first. As I did last year, I printed out two each of templates for making faux postage that I made available online, and Tom and I each started building compositions on two sheets. Here are two articles I wrote last year showing how I made designs with the two templates, including links for downloading the templates.

Low Tech Faux Postage: Part 1

Low Tech Faux Postage: Part 2

This year to start off our stamp sheets, Tom and I sat down with the printed templates, stickers, red, green and white image transfers that I made last year, collage papers and various markers and pens.

Developing four Christmas themed stamp sheets
Developing four Christmas themed stamp sheets

I’m in the process of finishing up those stamp sheets by treating them in a similar manner as the ones in the two tutorials linked to above, Low-Tech Faux Postage parts 1 and 2. I have stamped out some tiny words such as “US Postage” on strips of scrap paper and am gluing them down where there is room on the stamps designs. I’m making borders with mixed media. I’ll add some postmark stamps to the sheets and use stamps and perhaps stencils to add a little fine texture here and there where I think it’s needed. When the stamp sheets are done, I’ll get color copies made and cut up the copies into individual stamps to use on all kinds of Christmas paper crafts.

Make a Greeting Card With a Star and Arrow

mixed media greeting cards

I designed this project around some collaged stars I had made awhile back while working on my previous tutorial, Making Greeting Cards From Scrap Papers. If you don’t want to make your stars in that style, you can use any paper or cardstock star of your choice.

This card design uses quite a few tools and materials, so if you are going to get them all out you might as well make several. Having extra cards on hand is a real time saver sometimes!

matching_stars_with_card_colors

Supplies:
Cardstock
Assorted small paper scraps
Decorative paper large enough to make envelopes
Tracing paper
Tape, single and double-sided
Pencil
Scrap chipboard
Glue stick
Black rubber stamping ink
Clean scrap paper
Envelope template – free download here for a template that fits a 5.5 inch x 4.25 inch card – Envelope template for Rectangular Card

Tools:
Greeting Card With Star and Arrow Template (free download here)
Paper cutter
Metal ruler
Self-healing cutting mat
Scissors
Rubber stamps with sentiments
Colored pencils
Prismacolor art stix or similar product (like Conte crayons in more than just basic colors)
Sharpie Pen
Sharpie Twin Tip Marker Fine/Ultra Fine
Squeegee or bone folder tool
Rubber stamp Bubble Border Small or other border stamp
Rubber stamp Rounded Squares and Rectangles Border Large or other border stamp
Stencil for the “awesome” arrow – Mini Word Arrows 6×6 Stencil – if you don’t have that stencil, you can use a stamp, stencil or paper of your choice for the small arrow portion of the card.

star_greeting_card_with_arrow

Instructions:

Download and print out my free template, Greeting Card Sketch – Star With Arrow.

Tape tracing paper over the printed out template, and make tracings in pencil over the star portion, the arrows and the shapes on either side of the star.

Write “front” on the tracings before you remove them from the template.

tracings

You’ll use these tracings to transfer your pencil markings onto the the backs of scraps of chipboard to make templates for tracing and masking.

To transfer, place your scrap chipboard pieces face down and flip your tracing paper over so that the back is facing up. Tape in place and go over your pencil lines. When you lift the tracing paper, you’ll have lines you can follow as you cut.

Out of one piece of chipboard, use a utility knife and a metal ruler to cut the two side shapes and the star out.

cutting_from_back

Make yourself templates for the large and small arrows as well.

cut_outs

Put the front of the card on your work surface and tape the stencil/mask over it. With a thin, light pencil outline the star and two side shapes. These light pencil lines will help you line things up in the later steps. Place the large arrow template where you would like it and trace around it too.

outlining_in_pencil

Stamp in black through the mask onto the front of the card, alternating the border stamps you are using.

stamping

Lift the mask to see that portions of the front of the card are partially filling the cut out shapes. This is a technique you can use with stencils or masks you cut yourself or with purchased stencils.

stamped_template_lifted

At this point, you can choose to erase your pencil guide lines, or disguise them by drawing over them with a marker or color pencil. I drew over mine with harmonious colored pencil colors.

green_web

Choose an art stick color and go over your outlines heavily, and the insides of your shapes lightly.

green_web_2

Choose a 1″ x 5.5″ piece of scrap decorative paper in a harmonious color. Fold it lengthwise, apply glue to the back and use it to cover the fore edge of the card.

Trace the large arrow onto a piece of decorative paper and cut it out. Glue it in place on the front of the card.

Take a bright, lighter piece of paper and tape it to your work surface.  Tape your stencil over the paper so that the paper shows through the word “awesome”. Outline the “awesome” arrow and lettering with a black Sharpie pen, then lift the stencil and finish filling in the arrow with the fine tip of a Sharpie double-sided black marker.

awesome

Glue the star and small arrow to the front of the card. Accent the lower and rightmost edges of the star and small arrow with the thick tip of the double-tipped Sharpie marker.

Make an envelope for your card by tracing Envelope template for Rectangular Card onto the back of a piece of decorative paper, then folding it and taping it together. Your’e done!

Low Tech Faux Postage: Part 2

Finished sheet of faux postage stamps made to put on my 2019 Christmas cards.
Finished sheet of faux postage stamps made to put on my 2019 Christmas cards.

1. Download and print out the two-page PDF file Low Tech Faux Postage. You’ll use the second page for Part 2. (Part 1 is located here: Low Tech Faux Postage: Part 1)

2. With some light colored markers or colored pencils, color around the outside edge of the faux stamp sheet and inside some of the open areas inside the stamps.

Faux postage printouts colored with pencil and markers.
In the image on the left, I’ve colored on the printout with colored pencils. On the right, I used markers and gel pens with stencils.

3. If you own any rubber stamps with postal type words or sayings on them, get them out and stamp them on some white or light colored paper to make parts to collage onto your stamp designs.

rubber stamping words on paper then gluing them down
Stamp out and glue on postal-related words. Then add border stamps in black ink to frame the composition.

4. Tear or cut the words out and glue one onto each rectangle.

5. Take some border stamps and stamp them in black ink around the composition to make a border. I used some fairly bold stamps because the black rectangles in the original printout are pretty bold and dark so a strong border will help balance the whole composition.

6. Add some color with other rubber stamps from your collection.  I’m currently working on Christmas cards and party invitations so I used some rubber stamps that would fit into use on those kinds of items – either on the actual card or on the envelope.

Faux postage sheets with coloring, collage, stamping and stickers.
My husband Tom made the sheet on the left, and I made the one on the right. I decided after adding stamping that my design needed a lot more pizzazz so I got out some stickers and cut them into pieces to add to my composition.

7. When I make a stamp sheet like this that is designed to be viewed as a whole composition as well as single stamps, I take the original and get color copies made of it. Then I cut out individual stamps from the color copies to use on other projects and keep the original to display intact.

Low Tech Faux Postage: Part 1

stamp sheet collageFaux postage is a really fun mixed media project to make because it’s relatively non-threatening to create tiny works of art in a format that everyone is familiar with. There are lots of craft products you can buy that make it easier to make artwork that looks like postage stamps. A long time ago I designed some rubber stamps for this purpose and some of them are currently for sale in my Etsy shop. You can make this project with any other small stamps that you own also and a selection of paper crafting supplies. Enjoy!

1. Download and print out the two-page PDF file Low Tech Faux Postage. You’ll use the first page for Part 1.

2. Cut out some paper rectangles that are 1 3/4 inches tall and 1 3/8 inches wide from dark paper. You will need at least 16 rectangles.

Cutting rectangles from paper scraps to glue onto faux postage template.
Cutting rectangles from paper scraps to glue onto faux postage template.

3. Trim the edges with a paper edging scissors and arrange on your Low Tech Faux Postage sheet Page 1. You can think of your sheet as one composition made up of 16 tiny compositions if that helps you to get ideas. Glue down your trimmed paper rectangles.

4. Use a 1″ square paper punch and start by punching out one square for each rectangle from a selection of random scrap papers. Arrange until you are satisfied. If you have similar sized paper punches in other shapes such as circles, feel free to try them out. As you look through your scrap papers, you might get inspired to cut out other shapes. If you are moved to do so, go ahead and cut out whatever you like and glue down on your sheet without worrying about whether or not you’re “inside the lines”.

Paper collage on the template sheet
Paper collage on the template sheet. Mine is on the left, my husband Tom’s is on the right.

5. Take some tiny rubber stamps with words, phrases, numbers or symbols that have to do with philatelic stuff like stamps or cancellations. Stamp them in permanent black ink on light colored pieces of scrap paper. When the ink is dry enough to handle, cut or tear out what you have stamped.

6. Glue the torn or cut pieces to the collage work you’ve already done to help make each rectangle suggest a postal stamp design.

Stamped paper bits glued to collage
Stamped paper bits glued to collage.

7. Continue to add embellishments to your stamps until you think they look finished. Here are some suggestions for what you can add:

More cut collage papers, found or commercial
Stickers
Drawing – paint and gel markers are interesting choices to experiment with because you can write with them on slick surfaces and sometimes dark backgrounds as well
Stenciling
Image transfers
Design tape
Rubber stamping

8. When your stamp sheet is done, you can frame the whole thing to display it, cut apart your stamps to make tiny artworks, make color copies then cut apart the color copies, or put the whole thing in an art journal. Your imagination is the only limit and the most important thing is to have fun!

My Former ‘Zine and Mail Art Days

A black and white collage faux postage stamp sheet I made around 1997.
A black and white collage faux postage stamp sheet I made. I used to get these printed on gummed paper and send them to other mail artists. Circa 1997.

I’ve been out of the Mail Art and ‘Zine scenes for over 20 years now, and to my surprise for some reason I’m getting nostalgic about it and thinking about getting back into it a little bit. I’ve never stopped making faux postage designs, rubber stamped art and Dada-influenced collages, but I stopped networking except through my web site because I got spooked by some of the extreme networkers I was occasionally in contact with. I figured I no longer had the stomach to participate in the “underground”. I mainly was networking for art and creativity and I’m still inspired creatively by what I did back then. I was not in it for anarchy, political change or social change except for some social commentary that I occasionally included.

I think part of the reason I feel like possibly participating again is that when I got spooked, I was in the middle of a couple of Mail Art group projects that I didn’t finish and I never sent out the documentation. I’ve felt guilty about this for a long time. One was called the “Turn Off Your Television Project” and another was called the “Fish Tapestry Project”. After writing the research paper I just published yesterday, I think I might want to finish that documentation and fulfill the obligation I took on myself 20 years ago. I probably won’t be able to get in touch with all the people who participated but I can try.

The Turn Off Your Television Project on display in my 1998 art show "Areas Affected by Shapes".
The Turn Off Your Television Project on display in my 1998 art show “Areas Affected by Shapes”.
A graphic I made to promote the "Turn Off Your Television Project", circa 1998.
A graphic I made to promote the “Turn Off Your Television Project”, circa 1998.

My friend Mark Reed who co-hosted the fish tapestry project with me passed away late last October and it would be a great tribute to him if I could finish that one too someday. I have only this week been able to bring myself to look again at some of his artwork that his family gave to me. I always thought he threw away too much of his old work and I’m glad that I have some of it. I may even finish some of the stuff that is unfinished. We collaborated and shared ideas a lot back in the day. I think he would like that.

Oh how I used to love making animated gif art!
Oh how I used to love making animated gif art!

I would be pleased if someone finished my old work after I’m gone. I’d rather have that happen than it be thrown away. I always have a lot of unfinished projects that I take up and put down at various times. I’m sure I’ll be leaving some unfinished ones behind someday. Actually it’s been painful for me to look at a lot of my old work and archives for a long time because so many of the people that I lived that time of my life with are dead. Maybe now I’m finally able to start dealing with the memories. Also I felt like much of my old work was an embarrassing failure. Looking at it now, some of is indeed embarrassing but some of it is not so bad! A former abusive relationship made me feel like I should not do any art because I was no good and didn’t deserve to do it just because it was good for me and made me feel alive. There was a time when I wasn’t sure I was ever going to take it up again.

My 1997 Artist Statement

My 2000 Artists Statement

Here is a faux postage design I made as a computer graphic when I was a beginner at learning Photoshop. 1997.
Here is a faux postage design I made as a computer graphic when I was a beginner at learning Photoshop. 1997.

My Mail Art name was Carolyn Substitute, my ‘zine was called the Lime Green News, and my faux postage was produced under the name “Lime Green Post”. I decided today to do an online search and see if I could find any references to my old Mail Art activities.

If you would like to explore this world I found the following:

John Held Jr. – Collection of Mail Art Periodicals

A Little Introduction to Mail Art

Mail Art Periodicals – MoMA

Links of Mail Art / Visual Poetry

Welch. 1995. Eternal Network. A Mail Art Anthology. Part 2.pdf

Tutorial: Carving Stamps

IDAC Jas W Felter’s “The International Directory of Artistamp Creators”

The Translinguistic Collaborative Poetry of Serge Segay, Rea Nikonova, and John M. Bennett – I can’t find specifically why my search turned up this web site but I did used to correspond with a couple of the people mentioned here so maybe a deeper search would be fruitful!

ArchivesSpace at the University of Iowa – Looks like they have at least a few issues of the Lime Green News in their archives.

stardust Memories Mail-aRt-Links and projects – bless this person for putting a link to my old web site on archive.org! I haven’t seen it in so long. I redesigned it in 1999 and I don’t think I looked at the old one since then because it made me so embarrassed!

cbanle

Lime Green Evolution World of Art – 1997-1999 – My first web site, how I transitioned from analog networking to digital networking. Thinking back on it, printmaking class in 1987 led to rubber stamping, rubber stamping led to Mail Art, Mail Art led to ‘zines, ‘zines led to taking a class to get better at desktop publishing, which led to published a web site, that led to being a web designer, which led to doing marketing which led to me working on a marketing degree. No wonder I called my first web site Lime Green Evolution. And I didn’t even put in all the other tangents I followed along the way! I used to stay late a lot after my web design job ended at 5 pm to work on my personal web site and wait for the traffic to die down.

One of the things we are studying in my Mass Communications class is how people make media meaningful for themselves. Back in the ‘zine / grunge / Mail Art era we used to do a lot of collages, small press publications and mixed media projects. I’m sure there are still people out there doing these things and with technology we have a lot more options available. Most likely I’ll be exploring this in a future research project.

Edit: here is my new page on the International Union of Mail-Artists web site. I’ll be putting some old and new work there.

Carolyn Hasenfratz Winkelmann

Speaking of the Lime Green News and studying other cultures…

Collage made with paper and rubber stamps
Collage made with paper and rubber stamps

I made this collage right at the time I stopped publishing the Lime Green News in paper form. I’m pretty sure I have a draft written on some floppy disc somewhere about how I made this collage and some others using outlines of black paper that I cut out with paper edging scissors to make compositions that look like postage stamps. I was going to publish the tutorial and a copy of the background for people to make their own stamps. I made several stamp sheets using this background as I recall. Such stamps are also known in the art and stamp collecting world as “Cinderella Stamps”, “Postoids” and “Artistamps”.

I never went back to the idea with this pseudo-postal background because I assumed that with computers and desktop publishing becoming more prominent people would not be interested in making faux postage stamps the “analog” way any more. But looking at this collage now that more than 20 years have passed since I made it I actually like it a lot. After going to that Gauguin show that I wrote about in my last blog post I’m reminded of how much I loved studying other cultures and abstracting some elements from them into and combining them with Mid-Century Modern type of abstraction. A lot of the black line work was made by rubber stamps. The Egyptian hieroglyphics stamp is a commercial rubber art stamp, but I carved all the others.

The above collage rearranged and with the colors inverted to use as a Facebook header
The above collage rearranged and with the colors inverted to use as a Facebook header

For some reason if I scan a collage and invert the colors in Photoshop, the results are often better than the original. I needed a new Facebook header so I rearranged the above collage and did a quick inversion. Fun!

Here is another collage I made using the same background
Here is another collage I made using the same background

Gauguin was a zine publisher! Who knew?

Tom is in red, Mike is in Yellow.
After Gauguin we looked at some of the other galleries. Tom is in red, Mike is in Yellow.

Yesterday my husband Tom and I attended the last day of the Gauguin exhibit at the St. Louis Art Museum, Paul Gauguin: The Art of Invention. Our friend Mike went with us and treated us to the tickets that he had earned from doing volunteer work.

When I first became interested in studying art, I wanted to be a painter. When I took ceramics and printmaking for the first time, I lost interest in painting and stopped reading about it as much as I used to in favor of my new passions. Over the years I also have done some pretty intense study of fiber arts, various crafts, collage, Dadaism, neo-Dadaism and Mail Art, ‘Zines, book arts, Outsider Art, Pop Art, photography, computer animation,  web design, architecture, graphic design, the decorative arts, archaeology and anything Mid-Century Modern. Impressionism and Post-Impressionism were the first kinds of painting that drew me in but over the years I came to prefer Surrealism and Abstract Expressionism as painting styles. I hadn’t done any reading on Gauguin for a long time.

If you missed the show you can listen to the audio presentation and view some of the images here:
https://www.slam.org/audio/paul-gauguin-the-art-of-invention/

Here is a transcript of the audio guide for the show:
https://www.slam.org/wp-content/uploads/2019/06/gauguin-audio-guide-transcript.pdf

Some of Gauguin's wood cut prints and a handmade book.
Some of Gauguin’s wood cut prints and a handmade book.

I really enjoy artists and designers who work in a variety of media, such as Alexander Calder, Henri Matisse and Frank Lloyd Wright. A lot of times I feel guilty about having so many interests and dabbling in so many different occupations and areas of study. Today’s society seems mostly to expect you to do only one thing but that is not and never will be “me”. So at this Gauguin show I was very intrigued to see some of Gauguin’s ceramics, wood carvings and woodcut prints alongside the paintings. There were ceramics and decorative objects from Gauguin’s personal collection as well as Oceanic and Peruvian art that was representative of the cultures Gauguin was influenced by. He was also at various times a sailor, a stockbroker and a writer. People like this make me not feel so weird!

ceramics in the Gauguin show
The bright green and bright red ceramics and the one that kind of looks like a gourd are from Gauguin’s collection. The other more figurative ceramics were made by him. Some of these ceramics were inspired by paintings he owned by other artists, and the green jug was in one of his paintings. It’s always interesting to see artists’ personal collections!

guaguin_masthead

As a former ‘zine publisher (Lime Green News 1991-1998), I was excited to see a woodblock print graphic in the exhibit that Gauguin carved to help him publish his own newspaper, which could be considered a type of ‘zine. I’m currently taking a Mass Communications class and in our textbook Mass Communication Theory: Foundations, Ferment, and Future by Stanley J. Baran and Dennis K. Davis, I’ve highlighted a very intriguing sentence: “Extremists were often forced to rely on older media like pamphlets, handbills and political rallies.” I don’t know if Gauguin would have been considered an “extremist” in his time but he was critical of religion and government and his lifestyle was, to put it politely, pretty “bohemian”. When I read the above sentence in my textbook I thought of the history of self publishing and the many forms it can take. Before movable type printing presses, documents were hand written or perhaps laboriously printed with hand-printing methods such as stamping and wood block printing. Later there were typewriters, carbon paper, mimeographs, copy machines, desktop computers with printers and the World Wide Web, making self-publishing easier and more accessible.

When I was ‘zine publishing, I used to make my originals on paper to be copied on a copy machine at the office supply superstore. I started out with text printed out on an inkjet printer on my 1983 Commodore 64 computer, which I used for all my word processing until 1995. I essentially made big collages for my pages, combining the printed text with a variety of graphics, collages and hand-drawings. If I wanted to add color I would sometimes carve a rubber stamp and stamp it on the finished prints. I think the largest edition I ever made of my ‘zine was 100, so stamping 100 times to add a bit of color was feasible.

I got a Windows computer in 1995 with a black and white laser printer. At that time I got Internet access for the first time and started reading on the World Wide Web. My first web site went live in 1997. Gradually I made my ‘zine using more modern desktop publishing methods and by learning software such as the Microsoft Office suite, Corel Draw and Photoshop. The last years of my ‘zine incorporated more and more “modern” techniques but were still made as big collages with some hand-embellishments before copying. In 1998 I just switched my ‘zine content over to my web site, which although a bit out of date in spots is still live (www.limegreennews.com). It needs some (ok a lot of) work because I’ve been neglecting it in favor of the blog you are reading now.

Publishing online is very satisfying, but I miss the lower-tech, handcrafted methods of self-publishing sometimes. I still like book arts in various forms. I’d like to write about or engage in some self-publishing as I work on my master’s degree if possible. It’s been on my mind ever since reading that sentence in the textbook. I got out some of my old ‘zine originals to go down memory lane and think about some possible research ideas. ‘Zine publishers do a lot of trading and I had a big collection of other people’s ‘zines plus material they sent me for consideration for publication. I donated the bulk of my collection to the Poetry and Rare Books collection at the University of New York at Buffalo some years ago but I did save a few things I especially liked. I have no idea what they kept of my collection if anything, but they did have a subscription to my ‘zine when it was in publication and I didn’t know of anyone else who might be interested! I didn’t save much of the “extremist” stuff for my own collection because it frankly scared me and was one of the reasons I dropped out of the printed ‘zine scene – it helped contribute to a major anxiety attack that I eventually received treatment for and recovered from. I don’t think I’ve ever said publicly why I dropped out of the ‘zine and Mail Art scene suddenly but that is a major part of why I did that. I do miss aspects of it though. I’m kind of hoping that working on my degree will bring opportunities to do some research on this era of communication or even get back into it in some way. I might even re-publish on this blog some things that are not too embarrassing that aren’t yet online. We’ll see!

lgn2_cover

Just for fun, since the art show I just saw included Oceanic art and some work by Gauguin that shows how he was influenced by that art , here is what the cover of Lime Green News #2 looked like. I took a postcard with rubber stamped art work that I liked from another mail artist and taped down some sketches from my then-current Oceanic art history class. I drew and stamped crudely around the sketches and the postcard to make a cover. On the left is my original, on the right is a simulation of what the cover would have looked like after copying it on a black and white machine at the office supply superstore. I don’t know if I even have a printed version of this issue in my archives, I probably just have the original. At that time, if my memory is correct, I used to print about 10-15 copies just to trade with people.

What do Ross Perot and Oceanic art have to do with each other? I had no idea then and don’t now, but one thing I have not ever grown out of is making collages out of random things. Now I call it Art Journaling and use it as one of my artistic outlets since I don’t really try to make “Fine Art” type art any more. It’s not that I don’t have plenty of ideas, I do, I just don’t see what good it would do for anybody. But I never know what older ideas I’m going to go back to!

Make Nautical Thank You Cards

thankyoucards_nautical_finished

While making items for my wedding last summer I used a lot of nautical themed papers made by Canvas Corp. I saved a lot of the paper scraps to use in one of my favorite card-making techniques. I like to glue paper scraps onto narrow strips of scrap cardstock then apply rubber stamping ink to the edges to unify the strips. They make interesting parts to use in all kinds of paper crafts. I’ve previously written other articles that show this technique in action.

Pretty Packaging for Mason Jar Candles
http://blog.canvascorpbrands.com/quick-easy-pretty-packaging-mason-jar-candles/

Making Greeting Cards From Scrap Papers
http://www.chasenfratz.com/wp/making-greeting-cards-from-scrap-papers/

Materials and Tools
Canvas Corp paper sheet Sand & Sea Art Pages on Kraft CCP2883
Assorted paper scraps with a nautical theme, mostly from collections by Canvas Corp
Scrap cardstock
Black permanent rubber stamping ink
Permanent rubber stamping ink in colors that complement the project
Strips of light colored scrap paper that harmonize with the chosen paper scraps
Pieces of cardstock that harmonize with the chosen paper scraps
Clean scrap paper
Scissors
Glue stick
Paper cutter
Computer with scanner and graphics software
Eraser for stamping the edges of the paper

materials_1

These very detailed strips tend to look good in designs next to areas with less detail. To make thank you cards to acknowledge wedding gifts and other help people generously gave us for the wedding, I made some scrap paper strips edged in red and scanned them for use in a digital file which I had printed on cardstock at a copy shop. I spelled out the word “THANKS” in nautical flags by making little flag collages with Canvas Corp nautical themed papers and scanning those as well. After digitally manipulating the scanned paper pieces, this is the digital card design I came up with.

thankyoucard2_web

The red-edged strips that I scanned were now free to use in actual handmade cards and not just the digital design. I decided to combine the strips with imagery from the Canvas Corp paper sheet Sand & Sea Art Pages on Kraft CCP2883. The six images on the paper sheet are just about the size of the cards I want to make and the subtlety of the designs will really set off my paper strips. I decided to make six 5.25″ x 4.25″ cards. I selected six pieces of cardstock and cut them to 5.25″ wide and 8.5″ long then folded them in half to make the cards. Next I selected strips of light colored paper in colors that harmonized with my color scheme and stamped the sentiments “just a note” and “thank you” with black permanent ink. I made more strips than I thought I would need so that I would have lots of options. Also, I can use the extras for making other cards and for the card making classes that I teach.

stamped_paper_strips_web

To begin assembling the front of the cards, I cut each of the six images on the sheet Sand & Sea Art Pages on Kraft to just a little bigger than the card front. I cut the image in two then I inserted a strip with the words “just a note” then a scrap strip edged in red between the two pieces of the image. I glued the parts to the front of the card with a glue stick then trimmed away the excess. Then I glued the circular paper punched out piece with the stamped words “Thank You” onto the front of the card.

assembling_card_front

Introduction to Letterboxing

Letterboxing logbook and samples of personal stamps
Letterboxing logbook and samples of hand carved personal stamps.

I recently taught a two-part class to help people get started in the hobby of Letterboxing which combines outdoor exploration and creative expression. Two of the items you need to participate are a rubber stamp and a logbook. In part one, we hand carved a personal stamp and in part two we made a personal logbook. I wrote a tutorial for each class and they are now published on the Schnarr’s Hardware blog. If you want to try letterboxing or just learn to carve a rubber stamp and make a simple handmade book, here are links to my tutorials.

Read more on the Schnarr’s Hardware blog:

/Introduction to Letterboxing – Part I – Carving a Personal Stamp

Introduction to Letterboxing – Part II – Making a Personal Logbook