I love to make mixed media charms and beads to use in jewelry making. Recently I participated in a charm swap and made some initial necklaces for friends at JoAnn Fabrics and Crafts where I am a teacher. Learn how to make these charms by reading my tutorial on the Canvas Corp Products blog!
As a member of the “gig economy” I do contract and part-time consulting, marketing and customer service work for various clients. Two retailers I work with recently had need of some in-store signage. One is a hardware store and one is a craft supply store and they both sell stencils. I’ve been experimenting with letter stencils to make signage that gets the message across and at the same time demonstrates how to use some of the products that the stores sell.
JoAnn Fabrics and Crafts in Maplewood, MO has a teaching department of which I am a member. The education coordinator asked each teacher to make a sign or two for the classroom samples display to highlight the categories of classes we teach. I was assigned “Kid’s Crafts” and “Jewelry”. I was given two blank pieces of foamcore already cut to size and access to the classroom supply cabinet. Fun!
I like the look of cut-out letters layered over a background. To help me visualize how to arrange the letters on the foamcore board, I cut out some pieces of scrap chipboard and used a letter stencil to trace the outline of each letter in position. Then I decided what colors to use in the actual sign. Since it’s spelling out “Kid’s Crafts” that’s a good excuse to use some really bright colors!
Next I selected papers to use as backgrounds for each letter. I marked the foamcore as a rough guide to where I would place the background for each letter.
A little black and white in a design is a great way to add visual interest. Some of the background papers already have some white in the pattern. To get some black in the design, I outlined each cut letter with a black Sharpie marker and drew some faux sewing stitch lines to help convey the hand crafts theme. The black outline also covered up my pen lines from when I traced the letters. Black Sharpie markers are such an essential part of my tool kit (like glue sticks) that I buy them wholesale because I go through so many!
In order to read well from a distance, I thought some of the letters needed an improvement in the contrast. I added high contrast solid paper behind the letters that needed to pop a bit more. Then I added a strip of black and white paper tape (also known as design tape and washi tape) to the top and bottom edges for a more finished look.
The final finishing touch was to glue on a few colorful buttons here and there. I used a similar design idea to make my sign for Jewelry. That was fun to make because it gave me a chance to use some “shiny” supplies that are appealing but hard to find a use for that is tasteful and appropriate – metallic papers, silver ribbon, glitter papers and plastic jewels! I outlined the letters in the Jewelry sign with a metallic gold Sharpie paint marker that looks good with the jewel-toned papers and theme. The paint marker also has good enough coverage to conceal my pen lines.
These signs were fun to make and also stretched me creatively because I used a few materials and colors that I don’t design with very often. That’s good exercise for any designer!
My tutorial on decorating the lids and making tags for seaglass-colored Mason jar candles has been published on the Canvas Corp Brands blog.
To learn how I made the candles, you can read my tutorial on the Schnarr’s Hardware blog:
Make Old Wax Candles Into New Candles
Schnarr’s Hardware sells several sizes and shapes of Mason jars as well as lids and other canning accessories.
For many years I’ve responded to Christmas Cards by sending out New Year cards – I explained why I do that in this previous blog post: Why I Send New Year Cards Instead of Christmas Cards.
I started this year’s design by collaging small pieces of paper onto scrap paper strips that were about 3/4 to 1 1/4 inches wide. I began with the numbers “2018” which I cut from the 7gypsies papers Paddington Blackfriars and American Vintage: 12×12 State Plates Paper. I filled in the paper strips with assorted scrap papers from my small scrap box.
Next I rubbed on some images from the set Architextures™ Parchment Rub-On – Build which were a good fit for my chosen theme “Let’s build a great 2018!”. I added a bit of Tim Holtz paper tape.
I trimmed my strips with scissors to make the edges as even a possible then I scanned them and used Adobe Photoshop software to refine my trimming job and arranged some of the strips into a rectangular digital collage for the front of the card. I made a selection outline of all the areas with the year numbers and turned up the contrast so that they would stand out more. I added some grid designs and hardware looking graphics using Adobe Illustrator then I saved a PDF file of my cards to take to the printer.
While I was working on the collages for my New Year card, I also completed a project for Canvas Corp Brands. I’ve been selected for the 2018 CCB Creative Crew , the design team that makes samples and comes up with projects for Canvas Corp Brands products. Our first challenge was to decorate a 4 x 4 inch canvas in a way that highlights our personal style.
To create the above decorated mixed media canvas I cut three of my collage strips to fit the 4 x 4 inch stretched canvas from Canvas Corp.
I squirted some StazOn Timber Brown permanent rubber stamping ink onto an old food lid to use as a palette. I used the side of an eraser to print a line of Timber Brown along the edges of each collage strip.
I painted my canvas with yellow acrylic paint and allowed it to dry.
Then I applied Tattered Angels Color Wash paint in Rose Gold with a brush along the sides and around the edges of the canvas.
To finish my canvas, I glued the collage strips to the front with Turbo Tacky Glue and nailed tiny tacks into the corners of each paper piece. All done!
Here are the results of what has become an annual ritual for me – designing a card to celebrate the New Year!
This year there are three versions of the card – see my Pinterest board for a peek at the other two variations.
Making these designs was kind of an involved process. The first thing I did was go through some monoprints I did back in the 1990s that I thought would make good backgrounds. These prints were “rejects” that I didn’t think were interesting enough on their own but I thought might be good as part of a collage some time in the future. Next I used some archival dye-based ink (Ancient Page and ColorBox Archival) to stencil designs on top of the background pieces. I chose this ink because it was translucent and I wanted the backgrounds to show through a little. Most of the stencils I used on the backgrounds were from a series that I cut out back in September consisting of designs inspired by a mid-century modern building I saw on a trip last summer.
I drew a set of retro ornament shapes and cut them out of more monoprint scraps, and stenciled on them with some commercial stencils of geometric design. I thought they complemented the mid-century modern look quite well. I don’t know many more times I can go back to the well of inspiration that is retro ornaments – I have yet to get tired of them!
The next step was to scan the background pieces into the computer and work on them a bit with Photoshop. I altered the colors a little bit on some of these to make them better backgrounds for the ornaments. The real life pieces will be used later in some art projects. I got some more use out of the backgrounds by making them into header images for Google+, Facebook and Etsy – I like to change those seasonally and without the seasonal references I won’t have to change these headers for awhile!
Next I scanned in the ornament pieces separately and used various Photoshop tools to trim around them and enhance the color a bit to make the stand out better against the backgrounds. I added a drop shadow and a grunge border and exported each composition as a JPEG to import into Illustrator. The card text and further details were done in Illustrator with the addition of the yellow texture imported from Photoshop. The texture was created with a technique I wrote about in my article Analog to Digital: Waste Paper From Stamping Projects Can Enhance Photoshop Art.
The next step is to get these printed and mail them out ASAP!
The Holiday 2015 issue of RubberStampMadness is out and I want to let you know about it because my article “No Ordinary Ornament” is published within! If you want to read it check the newsstand at your favorite craft retailer or go to the RubberStampMadness web site to order a copy. My four-page article contains step by step instructions and templates which you can copy and enlarge. Here are some other highlights of the holiday issue – Current Issue.
Some of the rubber stamps I used in my samples are from other stamp companies and some are of my own design and are available in my online store, Carolyn’s Stamp Store.
I was looking through some old photos recently and found some pictures of old artwork. Some of it I had decided a long time ago was not very good. While taking a fresh look, I decided some of it was not so bad and maybe even had some ideas worth revisiting so I made an album for old artwork on Pinterest. Here are a couple of samples!
I repurposed this gift box into a nice storage box by doing some decoupage work on the lid. First I glued down antique imagery. Next I rubber stamped harmonious images onto gold and white tissue paper with Staz On permanent rubber stamp ink and glued those pieces down. After that layer was dry, I brushed varnish over the whole box top for durability.
Check out my Pinterest board for sources of free images to download and print out – Free Graphics and Fonts.
Hand sewn eye pillows filled with sleep-inducing herbs. Pillows are
constructed with flaps that snap in back to make them easily refillable.
Fabric squares on front are rubber stamped, then appliqued and embroidered. Made from recycled fabric by Carolyn Hasenfratz.
Stamping on tissue paper can be very useful for planning out rubber stamped designs. This arrangement was made while I was designing a stamped border of hand carved rubber stamps for my kitchen, to which I’m trying to give a Santa Fe look.
You could use plain ordinary scrap paper and not tissue paper, but tissue paper has the advantage of being transparent. Transparency is a great aid to planning designs in which the paper bits might overlap, since you can see the orientation of the design below through the translucent paper. In the example below, I am upcycling a worn out and cracked wooden cutting board. I filled in the cracks with spackling paste, sanded, and am in the process of building up the design with sponging, stenciling and stamping. I will put cork strips on the bottom to make it into a trivet.
Some of the stamp designs you see above are available in a smaller size in my shop – check out my Petroglyph Rubber Stamps.