2. With some light colored markers or colored pencils, color around the outside edge of the faux stamp sheet and inside some of the open areas inside the stamps.
3. If you own any rubber stamps with postal type words or sayings on them, get them out and stamp them on some white or light colored paper to make parts to collage onto your stamp designs.
4. Tear or cut the words out and glue one onto each rectangle.
5. Take some border stamps and stamp them in black ink around the composition to make a border. I used some fairly bold stamps because the black rectangles in the original printout are pretty bold and dark so a strong border will help balance the whole composition.
6. Add some color with other rubber stamps from your collection. I’m currently working on Christmas cards and party invitations so I used some rubber stamps that would fit into use on those kinds of items – either on the actual card or on the envelope.
7. When I make a stamp sheet like this that is designed to be viewed as a whole composition as well as single stamps, I take the original and get color copies made of it. Then I cut out individual stamps from the color copies to use on other projects and keep the original to display intact.
When matting artwork, it’s common to have a lot of mat board scraps left over. I had a number of scraps that were large enough to make small open top storage boxes. If you would like to make one similar, here is how I did it.
First take your five mat board pieces and decorate both sides with collage papers combined with the paper embellishing techniques of your choice. Use water resistant inks because you’ll be applying acrylic medium over your collages later. Yes Paste is my favorite glue for sticking down large pieces of paper that have to look flat and free of wrinkles. I apply the glue with a credit card to get a nice thin layer then after laying down the paper piece I’m gluing I put a clean piece of scrap paper on top and burnish with a bone folder or Squeegee tool to get a tight, flat seal.
While working on this project at Perennial, another member asked me where I get my paper ephemera. The short answer to that question is that I’ve been collecting papers since the year I first got turned on to making collages – 1985! A more involved answer is to suggest some of the following sources of interesting papers:
Old magazines and catalogs.
Is someone you know doing some major cleaning? Offer to help in exchange for keeping interesting papers. This is a good way to get old graphic design samples, newspapers, books, maps, photos, negatives, stamps, envelopes, tickets – all kinds of neat stuff.
Save your art and paper craft “failures” and experiments. Whenever you have extra paint or ink, add a little more embellishment to your scraps until you get something you like. Toward the end of this article are examples of some great results I got using this method – Fun With Stencils.
Check thrift stores, estate sales, garage sales, flea markets, etc.
Make your own with any paper technique that you like, or a combination of techniques, such as rubber stamping, stenciling, painting, printing, making paste paper, rubbings, handmade paper, computer printouts, cyanotypes or drawing.
Use the decorative paper pads commonly sold for scrapbooking. There are designs for every taste and decorating style.
When you are satisfied with your designs, brush both sides of your mat board pieces with acrylic medium for durability and let dry.
Next start assembling your box from the bottom up, using the box corner hardware and the metal brads included in the package. Use a pencil to mark where the holes go and punch out the holes with an awl. An old chunk of wood is handy for protecting your work surface from the awl point. Be carful with the awl and aim it away from yourself while pressing down and through. Push brads through holes and spread the tines from the inside of the box to assemble the four bottom corners.
At this point the top four corners are loose and flapping so you’ll need something to stabilize them and keep your box shaped like a cube. At Perennial I rummaged through the spare hardware bins and found a couple of metal corner braces which worked wonderfully when attached with brass brads. There were only two available so I looked for something else for the other corners. You can buy metal corner braces at a hardware store and use them on all four top corners if you like.
At Perennial there is a box of old belts and belts have holes! Idea! I selected some to cut down and use on the other corners. Attached with brads, they work well with the “grunge” look of my boxes. If you lack old belts, you can use a variety of materials that can be cut into strips and have holes poked in it – plastic from old lids, scraps of faux leather, scraps of real leather, thin metal – what do you have lying around that you want to try?
I had a lot of fun using stencils that I cut to decorate a piece of distressed wood. I made the plank into a shelf for behind my sofa. My living room looks a lot better and I have more room to display some of my favorite plants and Mid-Century Modern collectibles.
Build an attractive garden home out of wood for native bees and other valuable pollinating insects. We will paint our homes to make them pretty and decorate some of the surfaces with stencils. All materials except the bamboo segments shown in the picture will be included. The wood will be cut ahead of time. The skills you will use in the class are: sanding, nailing, painting and stenciling. You will be instructed on what kinds of materials to fill the house with. The bamboo shown in the picture is one option you can use but there are others.
Class Title: Build a Pollinator House When: June 04, 2016 from 1:00pm to 4:00pm Where: Studio:art 7403 Manchester Rd., Maplewood, MO 63143 Map & Directions Price: $40.00.
Painting and stenciling terra-cotta pots is a fun and inexpensive way to enhance your patio or garden decor. Younger and older crafters alike can join in. Small decorated pots can be used as party favors. Medium-sized pots might provide the base for a table centerpiece. A large pot could function as a gift basket that you can fill with items for a loved one who likes gardening. Gardeners can always use extra small items such as gloves* (they tend to wear out with regularity), seeds*, bulbs*, bug repellent*, gardener’s soap, hand lotion*, sunscreen*, lip balm* and plant tags*. You can also throw in a gift card* so they can get exactly what they want!
Here are the results of what has become an annual ritual for me – designing a card to celebrate the New Year!
This year there are three versions of the card – see my Pinterest board for a peek at the other two variations.
Making these designs was kind of an involved process. The first thing I did was go through some monoprints I did back in the 1990s that I thought would make good backgrounds. These prints were “rejects” that I didn’t think were interesting enough on their own but I thought might be good as part of a collage some time in the future. Next I used some archival dye-based ink (Ancient Page and ColorBox Archival) to stencil designs on top of the background pieces. I chose this ink because it was translucent and I wanted the backgrounds to show through a little. Most of the stencils I used on the backgrounds were from a series that I cut out back in September consisting of designs inspired by a mid-century modern building I saw on a trip last summer.
I drew a set of retro ornament shapes and cut them out of more monoprint scraps, and stenciled on them with some commercial stencils of geometric design. I thought they complemented the mid-century modern look quite well. I don’t know many more times I can go back to the well of inspiration that is retro ornaments – I have yet to get tired of them!
The next step was to scan the background pieces into the computer and work on them a bit with Photoshop. I altered the colors a little bit on some of these to make them better backgrounds for the ornaments. The real life pieces will be used later in some art projects. I got some more use out of the backgrounds by making them into header images for Google+, Facebook and Etsy – I like to change those seasonally and without the seasonal references I won’t have to change these headers for awhile!
Next I scanned in the ornament pieces separately and used various Photoshop tools to trim around them and enhance the color a bit to make the stand out better against the backgrounds. I added a drop shadow and a grunge border and exported each composition as a JPEG to import into Illustrator. The card text and further details were done in Illustrator with the addition of the yellow texture imported from Photoshop. The texture was created with a technique I wrote about in my article Analog to Digital: Waste Paper From Stamping Projects Can Enhance Photoshop Art.
The next step is to get these printed and mail them out ASAP!
Over the last couple of weeks I designed and cut a number of stencils in a Mid-Century Modern style that I plan to use in home decor and in art projects. While on a Modern STL house tour this past weekend, I noticed that several of the homes featured color schemes that go well with the theme to my blog, which was intended to be temporary. Inspired by the recent tour, I decided to use my new stencils to create a header graphic for this site and only modify a few parts of the theme as I see fit.
First I took my new stencils and sponged black rubber stamping ink through them onto white paper. I scanned these designs and brought them into Photoshop where I colorized them and added other digitized textures to create the four compositions above. Then I selected sections of these designs to make my new header graphic. I’m excited about possibly using these as studies for art pieces I may want to do someday.
Do you want to have some fun with a mixed-media fabric project? This soft Dia De Los Muertos skull uses discharge paste, fabric paint, embroidery and embellishments – you can use a lot of your toys for this one! Enhance your decor with a small decorative throw pillow or attach a loop to the back and hang it on the wall.
This tutorial assumes you know the basics of cutting stencils and stenciling on fabric. If you need more of an introduction to those skills, see my tutorial “Fun With Stencils”. You’ll need a few very basic sewing and embroidery skills too.
In a previous article I described stenciling with paint on a wood garden sign. That works great if you don’t want a lot of small words but I found myself in need of some new garden signs that would require a lot of text on them. I decided to find a way to computer generate the text and put it on a weatherproof sign. In the past I had purchased produce from a co-op and had saved a couple of the thin wood crates thinking they would be useful for garden markers of some kind. I decided to make small signs from this wood and print out my text on clear acetate and attach that to the signs with brads.
I had so much fun participating in a sketch challenge recently that I decided to make an effort to enter more. RubberStampMadness magazine is currently running a Filmstrip Challenge which appealed to me. Above is my entry. There are still a few days left before the deadline if you want to get in on the fun – here are the entry guidelines.
Though I’ve been rubber stamping for well over 20 years, I haven’t done a whole lot of coloring in of rubber stamps. This project helped me to get some practice and was an opportunity to experiment with mixed media.
The first thing I did was to cut out a bunch of 2 x 2 inch and 2 x 3 inch pieces of scrap paper which would become the individual “frames” in the finished artwork. Then I stamped images on them in black waterproof ink.
The next step was to give each section it’s own background color with decorative chalks and old eyeshadow. To apply I used Q-tips, sponge tip makeup applicators and Fantastix by Tsukineko which are a great help in getting color into tight areas around the edges of the stamped images.
Next I sprayed the paper pieces with workable spray fixative to hold the chalk in place, then I coated them with a thin layer of matte medium and let it dry. The workable fixative allowed me to brush on matte medium without the powders smearing and the purpose of the matte medium is twofold – it’s the glue I will use to attach the images and words I cut from magazines, and it keeps the markers I’ll apply later from smearing the black ink that I stamped.
The next step was to figure out words to put in the word and thought balloons I had stamped. It would be a lot of fun to tell a coherent, planned out story with this format but I couldn’t think of any ideas for a story so I did what I often do, I relied on the random and let my subconscious guide me. Cutting out pictures from magazines has been a reliable way for me to tap into the subconscious part of my brain for decades. I picked up some discarded magazines that I hadn’t cut up yet and went through them looking for words that piqued my interest. Along the way I cut out appealing pictures – some I put aside to use in other projects and a few I used for this one. I grouped the words on my work surface into combinations that appealed to me and matched the words or groups of words with images. Some of the results make sense to me, some don’t and it’s likely the ones that mean something to me won’t mean the same thing to others and vice versa. That’s one of the fun things about art!
I then glued the cut-out images and words in place by brushing the backs of them with matte medium and smoothing them in place with an old credit card. One way to reduce the risk of wrinkling the paper is to coat both sides of the pieces with matte medium and let dry before wetting the backs again to apply. It’s extra work but it’s worth it for good results. You can speed up drying with a heat tool so your work session isn’t interrupted. (It sounds funny to say “work session” – this was play!)
If you prefer instead of gluing in cut-out words you can write words in the balloons or use word rubber stamps or stickers.
My next step was to take each section and highlight the stamped images with a little color here and there and add some texture to the backgrounds with stencils from The Crafter’s Workshop. I like the way some of the textures vaguely suggest the “dot gain” effect that you often see in comic books. My coloring implements for this project were Sharpie markers and Prismacolor pencils. Both will color just fine over the matte medium but if you want to use different media, do some tests on scrap paper first to see if the surface will accept the color. I could have made masks to protect the areas I did not want to stencil on but to save work I relied on my eye to tell me where to stop. I only went onto the white word areas on a couple of spots so I decided to touch up these areas later with acrylic paint to disguise my mistakes. If you decide to sponge ink through the stencils you will need to make masks.
I glued the individual “frame” pieces down on a piece of archival cardstock with Yes Glue. Then I got out a tiny paintbrush and touched up the white areas and I liked the way the bright white looked so I added white highlights here and there all over the artwork where I thought it needed it. I liked the effect, it added a little extra “pop”.
The next image shows what my artwork looked like before I scanned it and added digital enhancements.
After scanning in the image, I opened it up in Photoshop and added a layer for a faux filmstrip effect which I made from a couple of these free digistamps. I may print out this “filmstrip” layer on clear transparency film and mount it over the original artwork with brads or eyelets to display it.