Here is one of our new Christmas traditions. For the second year in a row, here is #12daysoftomsbeard! Last year we distributed tags to family members on Christmas day to color on and decorate. We invited them to look for #12daysoftomsbeard on Instagram from December 25 to January 6. This year since we may not see family members in person on Christmas, I’m using the mail to try to get decorated tags to put on Tom’s beard. You are invited to decorate a tag from the image below and send it to us in the mail. Click the image to download a PDF to print out. Enjoy!
On November 7 and 8th, 2020, members of the Route 66 Association of Missouri and other volunteers worked on a historic preservation project at the Shamrock Courts in Sullivan, MO. The Shamrock Courts were an historic Route 66 motel that was later converted to apartments and then left empty for over a decade. The goals of the volunteers on this cleanup weekend were to preserve the buildings, get the property cleaned up and looking good to help it find a good buyer who will restore it, and to look for artifacts and history to pass on to the new owners and to the historic record of Route 66.
I was only able to go on Sunday the 8th because I had a lot of homework, but was nevertheless very pleased to make my contribution. My husband Tom joined me. I concentrated on removing invasive vegetation from the building and the surrounding property. Removing the invasive vegetation helps with preservation because it prevents fast growing trees and vines from gradually prying apart bits of the buildings. In addition taking seeds and parts of the plants that can grow away from the property helps to prevent regrowth and the cost of future labor to remove it. I may be back because there is a lot more to do!
When you can find actual historic details and artifacts, it’s an extra reward. For Route 66 fans, to see the outside of buildings like this is exciting, but it’s even better when you can get permission to get close and even go inside to discover things that you may not ever see during a “drive-by” photo op visit, or in a book. Historic finds, like the neon sign tubing we are holding up in the center photo, add to the historic value of the property as well as the satisfaction for history-loving owners and volunteers.
Personally, the day I spent at the Shamrock was extra special because it was on the 21st anniversary weekend of attending my first Route 66 Association of Missouri meeting and the first weekend of exploring Route 66 in Missouri with my Mom and Dad. We stayed at the Boots Motel and stopped for classic roadside sights for the first time such as Red Oak II and Bill’s Station. The following year I became a lifetime member of the Route 66 Association of Missouri!
I have never lived in Ferguson, MO but I have a lot of ties there. I worked there for several years. I went to school there for several years (yes I know STLCC is a two-year college but it took me longer than that – plus I took continuing ed classes for many years afterward). I know how hard the people of Ferguson have worked to create a nice business, dining and entertainment district. I’ve had several of those businesses as clients over the years and have been a customer at many others. A couple of my best friends lived there. I don’t like to see any community torn by violence but of course it’s extra emotional when it’s one that I am familiar with.
I believe the arts can heal and I believe that gardens can heal. That’s why I’m a Master Gardener and why I’ve been having my #virtualartparty online. When I saw that a friend of mine that I respect for her art ability, spiritual commitment and community spirit was participating in #paintforpeace in Ferguson, I wanted to put my beliefs about the healing power of art to the test. This past weekend I painted one panel along the main drag of Ferguson to make my contribution and to see what would happen. My husband joined me for one of the two days I was there and helped me paint a panel. If you have any questions about what we experienced or opinions about the project please feel free to ask and comment.
The theme for #virtualartparty Thursday, June 11 is Public Art. #paintforpeace is a form of public art that is intended to have a specific function. There is also a lot of other public art in the news lately – statuary and monuments from US and World History. There are monuments that are being targeted because they cause offense and make people feel unwelcome, and there are others that I theorize are being targeted to get footage of statues being toppled in the hopes of inciting fear and anger and sparking a violent revolution of our form of government. George Washington, Winston Churchill, Ghandi, Queen Victoria, Thomas Jefferson and Abraham Lincoln are all under attack and if continued we in the US and any part of the world influenced by European culture will see a Cultural Revolution to rival past events in history. Has anything good ever come from that? Please give your opinion.
Although it is not perfect I still support the Democratic Republic form of government and the US Constitution. I predict public art is going to be in the news for a long time to come. In between questions and comments, if we get any, my husband Tom is going to read selections from the following books. I chose these books because they were on my shelf and convenient, and also had something interesting to contribute to the public discourse about public art and public spaces. I have a HUGE book collection (seems pretentious to say “private library” but I guess that’s what it is) and I need to dig into it more often. It’s very illuminating, and I also find it calming to know that the issues we wrestle with today are not new and people have the ability to persevere through a lot of tough times.
Book selections for June 11, 2020:
“The Expressive Arts Activity Book: A Resource for Professionals” by Suzanne Darley and Wende Heath, 2008. Pages 60, 68.
“American Signs: Form and Meaning on Route 66” by Lisa Mahar, 2002. Excerpts from pages 186, 189, and 190.
“A History of the American People: Volume One: To 1877” by Stephan Thernstrom, 1984. Excerpts from pages 358, 372, 377-379.
“Parks, Plants and People: Beautifying the Urban Landscape” by Lynden B. Miller, 2009. Excerpts from pages 65-66.
“Keith Haring: The Authorized Biography” by John Gruen, 1991. Excerpts from pages 68-69, and 98.
“St. Louis: Portrait of a River City” by Elinor Martineau Coyle, 1966. Excerpts from pages 56, 66-69, 82, 128.
“Arts and Ideas”, Seventh Edition by William Fleming, 1986. Excerpts from pages 86-87.
“The Visual Dialogue: An Introduction to the Appreciation of Art” by Nathan Knobler, 1966. Pages 238, 261-263, 289.
If you have book, article, or art recommendations, please post them! I’m going to be posting more after tonight’s discussion because there is enough material to stay on this topic for quite awhile. I might even want to turn this into a project for my Master’s Degree at Webster University, if I don’t get expelled first for “thoughtcrime”.
Update June 12, 2020
Ok, here is how last night’s video turned out.
#paintforpeace in Ferguson organizers video:
They are promoting the hashtag #wehearyou so I’m going to start adding that to related stuff in social media.
Listening and hearing I think are some of the key things I’ve learned from this healing experiment. We live in a “gotcha” culture and everyone is quick to see and pounce on the flaw in someone’s reasoning rather than trying to understand how they got to where they are in their thinking. People in our society today have an average attention span of 8 seconds which is less than that of a goldfish which is 9 seconds. Is it any wonder that the humanity part of being human seems to be hard to find? Understanding and healing takes patience and work, but we are being pushed to instantly judge someone to see if they fall into one category or another so their concerns can be dismissed. If you treat people like that for decades you can’t earn trust back in an instant. Have we all examined ourselves to see if we are worthy of trust? That’s what we have to do first before we judge someone else for getting the wrong idea about us and writing them off as not worth trying to engage with.
Of course there are those who have ill intent and want to sow hate and violence to achieve their destructive goals and sometimes they hide those goals under a facade that seems benign. I believe in letting people show you who they are with their behavior before you judge. I don’t blame people for not knowing who it’s safe to trust. I try not to take it personally and use patience and love to “give peace a chance”. You might get burned, but you might find something beautiful. We have to accept that we aren’t always allowed to have peace but where we can have it I like to try it first.
Here is an amazing video I watched the other day. It’s called “Before You Call the Cops”.
I’m trying something new today. I’m hosting a virtual art party on Facebook! It will be at 4:00 pm, Central Standard Time.
How to join:
1. If you are interested in doing some coloring, I have some free coloring pages you can download here:
2. Otherwise, get a project you want to work on ready to go at your location.
3. Go to the Facebook event page at 4:00 pm for live video.
4. If a chat starts, join in!
5. Upload pictures of what you are making.
Here is a video replay!
Here are some links to things that came up during the video conversation:
Art Journaling With Stencils and Image Transfers – tutorial on how I made the clear collaged bits for my art journals
Book Review: “My Crazy Life Stories from A to Z” by Marilyn Linkul Winka – my review of my Aunt’s book
Fun With Food – my food page, included the roasted vegetables recipe Marilyn talked about
“Back To Our Roots” Art Show – the recent art show that I dedicated to my late friend Mark Reed
Art Journal Selections – my commentary on art journal pages that were in the recent show
Seeing Ourselves – my recent artwork for the Diversity Conference
Ideas for some art to make perhaps? This is a great idea!
The “Back To Our Roots” art show opened Friday, February 21 and is on display until March 20. I am in this show along with 21 other artists who are students in nine different departments at Webster University. The exhibit is in the Contemporary Art Projects Gallery in Arcade building in downtown St. Louis.
From the upper right clockwise, my pieces are named “Correspondence That Could Have Been, I – IV”. Here is a statement from me about what these works are about.
“A dear friend of mine, Mark Reed, who I used to collaborate with creatively died in 2018. Over the years, we discussed, traded, and collaborated on art. Some of our collaborations became realized, some were unfinished, some were just talked about. We both used to enjoy the art format Faux Postage, also known as Artistamps or Artist Postage Stamps. This is an art form derived from Dadaism and Mail Art in which artists make up their own imaginary postage stamps to comment on the human condition through the concepts of correspondence and networking. It’s a playful format we both enjoyed in and out of active participation in the Mail Art community. For Back to Our Roots I’ve made four Faux Postage designs based on some unfinished stamp designs of Mark’s which used elements of some of my designs, for which he obtained my permission to use about 22 years ago. I have made one design with the price of postage at that time, one with today’s postage rate and a couple of values in-between. This is to symbolize that whether we were actively collaborating or not, during all the time I knew him his influence on my work was felt, and his influence will continue to be felt and warmly remembered by me as long as I am alive, in art and in life.”
The emotions and ideas in these pieces are intense and not entirely processed. The three art journals displayed below are works in progress that I use as creative expression and self-care to help me digest all kinds of things about life, both good and bad. Visitors to the show are welcome to page through them.
I have been working on a mini web site to go along with these journals to explain what is behind selected pages in these journals. It’s crudely formatted for mobile viewing so that visitors to the show can scan a QR code and read my commentary. It is readable on a desktop web browser too, though formatted in a bit of an eccentric manner there since I rushed it to get it ready for the show. Like the journals, it’s in progress and might be in progress for some time, who knows what the future will bring. I’m surprised at how much I have to say and how much is pouring out of me. To see what I have published so far, see the link below.
Update, February 25
The gallery was broken into, vandalized and some of the artwork vandalized. The artists whose work was affected have been notified so they can make repairs. They expect to have the show up and running again by the end of the week.
Webster Journal article about the show: Back to Our Roots exhibit goes on display
Pooky is one of my two pet European Starlings. I adopted him in 2011 at three months of age. When I heard that the Master Gardener Winter Book Club was meeting at Missouri Botanical Garden to discuss the book Mozart’s Starling by Lyanda Lynn Haupt I offered to bring my starlings so that the attendees could meet a real-life pet starling and see how they interact with people. I ended up only bringing Pooky because Attila and Pooky started fighting when they were put in the travel cage. Pooky is slightly prettier (sorry Attila!) and sings more so he is the one I chose to bring.
It went better than I expected! Once he had some time to settle in, Pooky was not intimidated by being around a large group of people he didn’t know. He sang and talked for the group with gusto, giving a good demonstration of how tame starlings sound when they imitate human speech, whistle tunes and make starling-only sounds. I haven’t read this particular book but I have read a lot of articles on Mozart and his starling and I am familiar with the rudiments of that historic bird’s story.
Besides the book itself, we discussed specifics of starling biology and behavior and talked about the implications of invasive species. Other topics included bird behavior in general, bird conservation, avian language abilities and intelligence, experiences with unusual pets and other related topics.
After the discussion I gave Pooky some “out” time so that those who wanted a closer encounter could let Pooky land and sit on them for a bit. Both of my birds will readily land on people they don’t know and Pooky did not disappoint on this occasion. My starlings love attention and judging from the avian and human interaction I think members of both species enjoyed the encounter.
Some resources if you want to learn more about starlings:
Starling Talk – the best resource to learn about starling care, and lots more about starlings.
Help! I’m Being Predated by a Starling! – great video that shows what the starlings’ prying behavior looks like.
Amazing starling videos by researcher Richard Smedley. Includes next box footage, starling fights, wild starlings imitating alarms and much more.
It’s Ok to Hate Starlings – I disagree with this opinion, and I said so in the comments, and the abuse that resulted I think is very educational. Do you think there is a connection between human and animal abuse? Read the comment section and see what you think. I got very involved in this discussion because I was testing a hypothesis about abuse.
My husband and I have been gifted season tickets to the Repertory Theatre of St. Louis preview nights by his parents and it is our custom to go to dinner with then before each new production. Usually I like to ask if any of the party are familiar with the play. If it is adapted from a book, I want to know if anyone has read it and what they thought of it. Until recently I haven’t seen a lot of live plays so I’m trying to learn as much as I can.
I read “Pride and Prejudice” long ago and I’ve seen both modern and period style movie adaptations of the novel, but none of these were recent and fresh in my memory. I described what the story was about to the best of my ability to our party and my husband said “So it’s like a chick flick”. Coming from my husband this is not a put down. He likes “chick flicks” – he is the one who introduced me to Hallmark Christmas Movies for the first time which also could be considered “chick flicks” but whose audience is around 30% men. I searched for podcasts about “Pride and Prejudice” to learn more about the history and context of the original novel and came across an episode of “The Drunk Guys Book Club Podcast” in which they admitted that they read the book because it’s something that one probably should read if one has aspirations of being well-read. They admitted it was not their usual taste but they are aware the story is enjoyed by many women even in the present day.
The central driver of the plot is an English country family with an estate that legally must be left to a male heir and is entailed – it cannot be divided up among the daughters of the family which has no sons to provide for their future support. The daughters must find husbands who are able and willing to support them and if circumstances make it necessary, the possibly future widowed mother and any sisters who don’t find husbands. The closest male heir is a cousin and it would be advantageous for the family of one of the daughters could wed him so at least some of the family remains connected to the estate.
If this plot sounds familiar, it’s because it’s similar to Downton Abbey, a popular television historical drama that familiarized many Americans with entailment and primogeniture and how those practices affected landed families in the UK that were trying to preserve estates and retain social status. It wasn’t always possible in real life to do that and indulge in romantic love at the same time. Pride and Prejudice the play makes no attempt to explore the fates of the working class or servant class which have very different concerns. American life in the present day has many differences to the landed gentry life of the early 1800s or the aristocratic life of the early 1900s depicted in Pride and Prejudice and Downton Abbey respectively. Regency England is so far from life in the US in 2019 but not so distant that we can’t enjoy this play today.
It isn’t always easy in the present day to find romantic love even when women have a lot more freedom and economic independence. I thought about this while watching the play because when I was dating my now husband, I told him that I might eventually sell the two small homes I own, but I wasn’t going to promise to sell them at any particular time or at all. I told him that I would of course take his opinions about managing them into account and make decisions that were best for us as a couple, but since I could afford to maintain the properties with my own money I was going to be the final decision maker. I told him if that was a dealbreaker for him to tell me now.
Does that seem like an odd question for a woman in her late 40s to have to ask a suitor in the year 2017? I think it’s odd indeed, but I learned from the relationship proceeding the one with my now husband, that yes I had to ask it. I thought I was on the verge of a proposal from my previous boyfriend, but he abruptly dumped me. He told me the reason for his action was that he did not approve of my renting an art studio. When I suggested that after marriage I move to his home and use my then current home as a studio because the cost of owning it was roughly the same as rent for the studio, he told me it was not acceptable for me to consider still retaining ownership of my condo and he was finished with me for even thinking about it. He believed I was incompetent at managing money (guess which one of us was and still is debt-free) and he didn’t want me to continue to do art projects. It’s possible there was a lot more than that going on, but I have it in writing from him that those were the reasons he was willing to admit to. I believe he was really a fake suitor and not a real one but I thought he was for real at the time. Yes, I’m old fashioned enough to still think in terms of “suitors”. I haven’t spoken to him since other than superficial politeness if we are ever at the same events. (The reason we met in the first place is that we like similar events and know a lot of the same people. I’m polite if spoken to because I don’t want to make other guests or the hosts uncomfortable.)
After that I decided that if I ever got the chance to be in a relationship again and it looked like it might be leading to marriage, I would have this conversation earlier since apparently some attitudes I thought were a given in the present day in our current culture are, in fact, not. I wanted to get married but not if I had to give up my right to own property to do it. I had read the essay “A Room Of One’s Own” by Virginia Wolf in my teen years and as a creative person I fully understood the implications even if I didn’t yet understand how hard it was going to be to get “a room of my own” AND romantic love and how long I was going to have to wait.
I told my husband that if he liked Hallmark Christmas movies he would probably like the play we were about to see. The heroine is rewarded for her strong-minded and unorthodox approach to life. She finds love with a handsome man and security for her family, similar to many Hallmark movie plots. The play even ended in true Hallmark style with a couple of conventions I won’t spoil but which you can probably predict! With its disturbing background about the rights and roles of women in the circumstances in which it was written, it can be paradoxically enjoyed as light Holiday fare if you don’t dig in too deeply. And if you want to dig in deeply there is plenty of substance to reflect on later. Is this story romantic or anti-romantic?
Enjoy the florid manners, witty banter, choreography, romantic comedy conventions and lush production. As someone who appreciates design and sewing, I was particularly taken by the costumes and would have been entertained by those alone if necessary! There is a big cast with lots of costume changes and I loved how certain characters wore variations of the same color to help you keep track of who is who. If you go, if you are not very familiar, to get maximum enjoyment out of the play I recommend brushing up a little on the characters beforehand so you are not confused. Also don’t do what I did and remain seated during intermission. It’s a long play and I got a little restless-leg feeling going at the end which made me fidget to try to get my leg comfortable. (When I was younger I called it “movie knee”.) Do walk around a bit if you can!
Pride & Prejudice
by Jane Austen
Adapted by Christopher Baker
Directed by Hana S. Sharif
December 4-29, 2019
Link to box office: Pride & Prejudice
I put some links to help understand more of the historical background here:
My husband Tom and I were looking for an art show to go to on a Saturday evening after 5:00 pm mass and were pleased to see an ad for the show “Thank You” at Galeria Obscura by mixed media artist Marley Billie D. The theme of the show really resonated with me because an old friend of mine had died a few days earlier, and I had recently submitted a proposal for an art show that involved a tribute to another friend that passed away last year and both deceased friends and others were heavily on my mind. Appreciating the impact people had on your life when they are gone is a good thing, appreciating people while they are still here if you can is even better. I need reminders to do that more. Seeing a collage invitation for the show excited me. Collage and mixed media are near and dear to my heart (and one of my major muses) because of the way that actual found objects and papers can give another dimension to projects that brand new materials just can’t do sometimes.
I spoke to Marley briefly at the opening and expressed my appreciation for the collage, found objects and re-purposed materials used in the show. While some of the pieces in the show are actual collages or include some collage elements, each wall in the installation was itself a masterful assemblage that together created a kind of collage room. You could also think of it as a scrapbook that you can walk into. Artwork was combined with snapshots, many with captions written either on them or on the wall. The walls became a “journaling space” like you would see in a scrapbook or art journal. The black walls of the gallery space, some light gray painted frames at regular intervals, white text and “Polaroid” style photo margins in the exhibit were perfect neutral foils for the highly saturated colors in the artworks themselves. While viewing I soon realized the skill and design ability it takes to create an installation of joyful harmony when there is so much going on with colors, materials and textures.
Marley told me that Pop Art is one of her influences. I learned on the Oxygen web site that Marley Billie D was on a show called “Street Art Throwdown”. You could consider Street Art in the Pop Art category because it’s a populist form of art, and sometimes there is Pop Art subject matter incorporated into it. Marley told me that some of the Pop Art influences came out in her work in the “dot gain” pattern she likes to use in some pieces, used prominently by some well known Pop artists like one of Marley’s inspirations, Roy Lichtenstein. There is torn away corrugated cardboard also, which whether consciously or not helps me see the Pop Art influence. Cardboard cartons are a form of advertising re-created by another influence Andy Warhol in his Brillo boxes piece. The textures made by corrugated cardboard also look great combined with the dot gain pattern, both visually and thematically.
To my eye, there is also Pop Art influence in the saturated color schemes and the creative re-use of materials. There appear to be things like old wood, recycled frames and old wall decor blended in many of the pieces. The “cheesy” kind of wall art many of us remember growing up with could be considered a form of Pop Art. They are cozy, familiar, homey objects that remind many of us of happy family times from the past. Some of these discarded items from other people’s families can be found in alleyways and thrift stores, and while hunting and dumpster diving you might also find cardboard and product packaging. Very fitting to blend such materials with the retro and populist sub-contexts of the show. Also an example of how you can use kitsch to make art that is decidedly NOT kitsch.
You can understand by what I have written above why I had a strong personal reaction to this show. To explain further, the huge blue spoon and fork seen on the wall in my photo are perhaps examples of those objects that for some artists can become powerful symbols that appear repeatedly in an artists’ body of work. Sometimes the audience knows right away what the symbols mean, in other instances they are part of a more private language that the artist uses. Giant wall utensils also appear in one of Marley’s paintings – see it here on her Instagram account. I grew up in a house with several painted plaster ornaments decorated by my Mom, myself and my brother. For example my Mom “antiqued” a giant wall set that included fork, spoon and ladle, and displayed plastic grapes in the ladle part of it! I can relate intensely to this symbol. I think what Marley did in painting either the actual objects from the painting or objects like them dark blue and including them on this wall is a masterstroke, both in color choice and concept. The feelings they might evoke in someone who grew up surrounded by similar objects are powerful. They are also good examples of Pop Art because of their kitsch appeal, large size, bold colors and celebration of ordinary household objects, all characteristics that help signal the Pop Art genre. To add yet another level of meaning, utensils are associated with Thanksgiving, a ritual that involves food and family, is coming up in two days, and probably had something to do with the timing of this show.
I’m thankful for all the people who had something to do with forming my character and creativity as I have lived life. And I am thankful for Marley’s show for inspiring me and reminding me what I owe to others.
I mentioned Pop Art subject matter above when I explained how Pop Art often celebrates objects that “ordinary” people use and encounter in their daily lives. A hamburger is one of the quintessential and ubiquitous American foods, and pop artist Claes Oldenburg was one of many pop artists who have celebrated the hamburger when he made his famous giant soft hamburger sculpture. The chain restaurants that feature objects on the walls evocative of the chosen restaurant theme could be considered a form of Pop Art as well. I don’t know a lot about the industry that supplies these objects, but I would like to! Some restaurants appear to use reproductions and/or vintage and antique objects to help create the desired atmosphere. It is very fitting that the new Red Robin restaurant in Richmond Heights, Missouri is decorated with colorful and engaging Pop Art. At least some of it appears to be specially commissioned work. I went to eat there because some of my friends were checking it out and I wanted to socialize with them (see photo). The art work was a special treat that I did not expect. Basically they turned the dining area into a giant Pop Art installation. There was even a hamburger hassock! The graphic below is a montage of some of my favorite pieces. Enjoy while contemplating an art form that originated as commentary on commercialism being shamelessly used as advertising! And very appealing advertising if you ask me…
This past Wednesday was a pretty gloomy day weather-wise. It wasn’t terribly cold, but it was relentlessly gray and damp. While working at Schnarr’s Hardware in Webster Groves on that day, I was given the task of helping to hang garlands and wreaths on the outside of the store. We were preparing for the Old Webster Holiday Open House which runs from 10 am – 4 pm today.
Whether it was the physical exercise involved or something inherently joyful about decorating, almost immediately my dull mood turned lively and creative. Over the next few days I got some of my Christmas stuff out and started brainstorming on decorating ideas for the store and the home I share with my husband Tom. I finally got some ideas for the endcap in the Garden department that I decorated and update from time to time. I added some paper flowers I made with tin birds, seed packets from Botanical Interests, some little tin watering cans, a canvas mat with attractive lettering and some holiday faux greenery and floral pieces. I’d been stuck for awhile on ideas but I finally felt inspired. If you’re going to the Open House today be sure to stop in Schnarr’s – there are some new holiday items to see and and lots of festive lights and decorations!
For many years when I lived alone in my condo I did not bother with displaying Christmas decorations. I made them because I love to make them and always will, but since I didn’t have many visitors I thought it was not worth the effort just to decorate for myself. Before I met my husband, I was dating a guy for the first time in many many many (did I say many) years and I did decorate a bit while seeing him since I finally had someone else to decorate for. I think I have learned a lesson from these experiences – it’s exciting to work on decorations and displays for business purposes because selling things and creating excitement in a store is a lot of fun. But it’s also worth doing just for yourself, whether you live alone or not. You can choose to shop for a lot of new items, use old favorites or combine old and new. If you find that decorating lifts your winter mood, you are worth the effort all by yourself! You could look at it as a form of necessary self care. Tom and I will have to be somewhat restrained in our decorating at home because we have cats, but we can do something and I’m going to make the effort. (The mistletoe is up already, to make sure we get lots of use out of that!)
Yesterday my husband Tom and I attended the last day of the Gauguin exhibit at the St. Louis Art Museum, Paul Gauguin: The Art of Invention. Our friend Mike went with us and treated us to the tickets that he had earned from doing volunteer work.
When I first became interested in studying art, I wanted to be a painter. When I took ceramics and printmaking for the first time, I lost interest in painting and stopped reading about it as much as I used to in favor of my new passions. Over the years I also have done some pretty intense study of fiber arts, various crafts, collage, Dadaism, neo-Dadaism and Mail Art, ‘Zines, book arts, Outsider Art, Pop Art, photography, computer animation, web design, architecture, graphic design, the decorative arts, archaeology and anything Mid-Century Modern. Impressionism and Post-Impressionism were the first kinds of painting that drew me in but over the years I came to prefer Surrealism and Abstract Expressionism as painting styles. I hadn’t done any reading on Gauguin for a long time.
If you missed the show you can listen to the audio presentation and view some of the images here:
Here is a transcript of the audio guide for the show:
I really enjoy artists and designers who work in a variety of media, such as Alexander Calder, Henri Matisse and Frank Lloyd Wright. A lot of times I feel guilty about having so many interests and dabbling in so many different occupations and areas of study. Today’s society seems mostly to expect you to do only one thing but that is not and never will be “me”. So at this Gauguin show I was very intrigued to see some of Gauguin’s ceramics, wood carvings and woodcut prints alongside the paintings. There were ceramics and decorative objects from Gauguin’s personal collection as well as Oceanic and Peruvian art that was representative of the cultures Gauguin was influenced by. He was also at various times a sailor, a stockbroker and a writer. People like this make me not feel so weird!
As a former ‘zine publisher (Lime Green News 1991-1998), I was excited to see a woodblock print graphic in the exhibit that Gauguin carved to help him publish his own newspaper, which could be considered a type of ‘zine. I’m currently taking a Mass Communications class and in our textbook Mass Communication Theory: Foundations, Ferment, and Future by Stanley J. Baran and Dennis K. Davis, I’ve highlighted a very intriguing sentence: “Extremists were often forced to rely on older media like pamphlets, handbills and political rallies.” I don’t know if Gauguin would have been considered an “extremist” in his time but he was critical of religion and government and his lifestyle was, to put it politely, pretty “bohemian”. When I read the above sentence in my textbook I thought of the history of self publishing and the many forms it can take. Before movable type printing presses, documents were hand written or perhaps laboriously printed with hand-printing methods such as stamping and wood block printing. Later there were typewriters, carbon paper, mimeographs, copy machines, desktop computers with printers and the World Wide Web, making self-publishing easier and more accessible.
When I was ‘zine publishing, I used to make my originals on paper to be copied on a copy machine at the office supply superstore. I started out with text printed out on an inkjet printer on my 1983 Commodore 64 computer, which I used for all my word processing until 1995. I essentially made big collages for my pages, combining the printed text with a variety of graphics, collages and hand-drawings. If I wanted to add color I would sometimes carve a rubber stamp and stamp it on the finished prints. I think the largest edition I ever made of my ‘zine was 100, so stamping 100 times to add a bit of color was feasible.
I got a Windows computer in 1995 with a black and white laser printer. At that time I got Internet access for the first time and started reading on the World Wide Web. My first web site went live in 1997. Gradually I made my ‘zine using more modern desktop publishing methods and by learning software such as the Microsoft Office suite, Corel Draw and Photoshop. The last years of my ‘zine incorporated more and more “modern” techniques but were still made as big collages with some hand-embellishments before copying. In 1998 I just switched my ‘zine content over to my web site, which although a bit out of date in spots is still live (www.limegreennews.com). It needs some (ok a lot of) work because I’ve been neglecting it in favor of the blog you are reading now.
Publishing online is very satisfying, but I miss the lower-tech, handcrafted methods of self-publishing sometimes. I still like book arts in various forms. I’d like to write about or engage in some self-publishing as I work on my master’s degree if possible. It’s been on my mind ever since reading that sentence in the textbook. I got out some of my old ‘zine originals to go down memory lane and think about some possible research ideas. ‘Zine publishers do a lot of trading and I had a big collection of other people’s ‘zines plus material they sent me for consideration for publication. I donated the bulk of my collection to the Poetry and Rare Books collection at the University of New York at Buffalo some years ago but I did save a few things I especially liked. I have no idea what they kept of my collection if anything, but they did have a subscription to my ‘zine when it was in publication and I didn’t know of anyone else who might be interested! I didn’t save much of the “extremist” stuff for my own collection because it frankly scared me and was one of the reasons I dropped out of the printed ‘zine scene – it helped contribute to a major anxiety attack that I eventually received treatment for and recovered from. I don’t think I’ve ever said publicly why I dropped out of the ‘zine and Mail Art scene suddenly but that is a major part of why I did that. I do miss aspects of it though. I’m kind of hoping that working on my degree will bring opportunities to do some research on this era of communication or even get back into it in some way. I might even re-publish on this blog some things that are not too embarrassing that aren’t yet online. We’ll see!
Just for fun, since the art show I just saw included Oceanic art and some work by Gauguin that shows how he was influenced by that art , here is what the cover of Lime Green News #2 looked like. I took a postcard with rubber stamped art work that I liked from another mail artist and taped down some sketches from my then-current Oceanic art history class. I drew and stamped crudely around the sketches and the postcard to make a cover. On the left is my original, on the right is a simulation of what the cover would have looked like after copying it on a black and white machine at the office supply superstore. I don’t know if I even have a printed version of this issue in my archives, I probably just have the original. At that time, if my memory is correct, I used to print about 10-15 copies just to trade with people.
What do Ross Perot and Oceanic art have to do with each other? I had no idea then and don’t now, but one thing I have not ever grown out of is making collages out of random things. Now I call it Art Journaling and use it as one of my artistic outlets since I don’t really try to make “Fine Art” type art any more. It’s not that I don’t have plenty of ideas, I do, I just don’t see what good it would do for anybody. But I never know what older ideas I’m going to go back to!